Most of these B3s have been collected in Op shops. Someone, probably a grandmother, has invested many loving hours knitting them, and has derived pleasure from the act of giving. A child has heaped affection on them leaving traces of their childhood playtime. In an age of readily available mass-produced objects, I am interested in why these B3s were made. Was it simply a personal gesture imbued with love for a child? Or was it because the mass-produced item was too expensive? Or, was it the result of a pleasure-giving hobby? Regardless, each B3 is an individual. Placement of eyes and mouths, whether with intent or in error, hint at their character. Each has its own history.

B3, 2003
33 type-c photographs
49 x 60 cm each

Read Dr Martyn Jolly’s B3 essay

B3 01 by David Wills
B3 02 by David Wills
B3 03 by David Wills
B3 04 by David Wills
B3 05 by David Wills
B3 06 by David Wills
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B3 08 by David Wills
B3 09 by David Wills
B3 10 by David Wills
B3 11 by David Wills
B3 12 by David Wills
B3 13 by David Wills
B3 14 by David Wills
B3 15 by David Wills
B3 16 by David Wills
B3 17 by David Wills
B3 18 by David Wills
B3 19 by David Wills
B3 20 by David Wills
B3 21 by David Wills
B3 22 by David Wills
B3 23 by David Wills
B3 24 by David Wills
B3 25 by David Wills
B3 26 by David Wills
B3 27 by David Wills
B3 28 by David Wills
B3 29 by David Wills
B3 30 by David Wills
B3 31 by David Wills
B3 32 by David Wills
B3 33 by David Wills